A downloadable book

2 PDF files of FEECO magazine, is a self-published magazine edited/written by Yu Hirayama.  The magazine features independent people who make arts as their own life.  Around 80 % is written in JP/Eng

【3】
This issue reflects not only the influence of the COVID-19 pandemic, but also the mood of the dark times that have been going on for the last few years. We'll hear the voices of artists, Aaron Dylan Kearns (an abstract filmmaker from Georgia, US) and Mary Ocher (a multi-artist from Berlin and Hamburg Germany), as they tell us about their days under the pandemic (Unfortunately, I'm late to publish their "2020" voices). In addition to them, there is the short interview of Justin Martell, who is the producer of the latest Tiny Tim documentary, King For A Day, and the co-founder of the Ship To Shore PhonoCO. label.

INTERVIEW① アーロン・ディラン・カーンズ

INTERVIEW② マリー・オーカー

INTERVIEW③ ジャスティン・マーテル(Ship To Shore PhonoCo.)

River of Diamonds『Photon Touch』

Ritual things from Japanese Underground-『盤魔殿Flashback』、向島ゆり子『Mukoujima Yuriko Solo』、『聖みろくさんぶ』、サヨ族&分水嶺

Collage and memories-Leo Okagawa,Shuta Hiraki, You Ishihara, Galapagos Oxyxpxc Show

パンク・ファンジン史『Ripped and Torn』

Ghost Funk Orchestra, Soft Power, and other monochromatic arts

ドキュメンタリー『ザ・バラッド・オブ・シャーリー・コリンズ』

デヴィット・ジャックマンの帰還 ライフログとしてのノイズ

ジョシュ・シモンズ 生存者のための黙示録

イナニス・ヨアケ

ニック・ブリンコ画集・Rudimentary Peni新譜発売記念特集

【4】

Continued from the previous issue, FEECO vol.4 has the voices of artists who are living through the pandemic. I interviewed a couple of artists who live in Japan and in line with it, all the other articles are about arts of Japan in this issue. I took an interview with two artists. One is Masaki Kubo aka former_airline who is a home recording artist. The other one is the owner of Seal Pool label, John Podeszwa, who is one of the biggest Nurse With Wound collectors in Japan, has been living in Osaka for nearly 25 years. This issue also has very good contributions. Masaki Kubo talks about Phew who is the legendary Japanese 'home recording' punk rocker. Patient mono, the member from a music unit, SEGUE-4, reviews quoree's Namariiro No Machi, which is at the forefront of singing synthesizer music. Aaron Dylan Kearns, who appeared in FEECO vol.3, writes about the films of Hiroshi Harada who is an icon on Aaron's aesthetics. Mizoguchi draws the "memorabilia" short comic. The other articles: The Hair, SCOOBIE DO, Kato David Hopkins's Rumors of Noizu, the importance of bringing the history of Japanese underground music to overseas with a French reissue label, An'archives. Also the issue has a disc guide to the most notable albums from Japan that had appeared on this decade.

INTERVIEW① 久保正樹 aka former_airline

INTERVIEW② John Podeszwa (Seal Pool)

【寄稿】

アーロン・ディラン・カーンズ 「原田浩『二度と目覚めぬ子守歌』と『少女椿』について」

久保正樹「Phewのここ10年とこれから」

患者mono 「密やかにデバッグされる世界」– quoree『鉛色の街』

溝口(3ページ漫画) NM/EX- (disc/sleeve) by Mizoguchi

消えた音楽家シジマ

何がどうなってどこから来たのか 加藤デビット・ホプキンズ『Rumors of Noizu』とAn'archiveレーベル

[独り言]アナーキー、人目を気にしてどうなるのか

玄人(バイニン)的プラグマティズム 色川武大、ボイド・ライス

未来があいさとうを見つけたら The Hair, Ai (Geno) Sato and future mods

スクービードゥーは自分たちのプロフェッショナルだ!! SCOOBIE DO(ディスコグラフィー付)

ディスクガイド・日本発個人的音楽二十五連 2012-2021

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